Nine months of work and anxious procrastination later, and I have finally finished my artist book “Meditations on a Credit Card”. I call this the completion of a Journey of Sorts.
I received a Visa card. This card is dark grey with red edges such that when one looks into the wallet, this card shows up first. Genius marketing, I thought.
I also had stacks of old prints which I had cut up for book markers — which nobody wanted. I imagined them with bloody edges. This book started coming together. Now…I’m only reluctantly an observer of marketing ploys, but I thought about this card, about revolving credit and about the pain it can bring.
This artist book not a tome on our economy. It is a collection of short musings on capitalism, consumerism, and financial plastic.
A picnic table in the rain
One seat is still available.
What does it profit man to gain the whole world and lose his planet?
Once, when speaking about the corrupting effect of the profit motive on the production of art, Ursula Le Guin said “We live in Capitalism. Its power seems inescapable. So did the Divine Right of Kings.”
The root of the word materialism is from the Latin “mater” which means mother.
There is a wonder-filled show at the Port Angeles Fine Arts Center, coinciding with this year’s celebration of Shakespeare in the Woods. Curated by Richard Stevens, the exhibit displays costume reproductions in the styles of the times in which Shakespeare lived and worked. A click on any image will fetch a larger image, easy return to page.
Above is a Spanish Renaissance gown for Tamora, Queen of the Goths, in Titus and Andronicus. Created by Tammie Dupuis. Heavy fabric in many layers to help keep the body warm in a cold climate. Opulent and jewel encrusted to indicate the status of the wearer. Oola was smitten by this one.
Below are two costumes, roughly the same period, Italian. Warmer climate, looser drape and lighter fabrics to let air flow around the body. Created by Margo Loes, the gown is for Lady Capulet in Romeo and Juliet.
Two doublets for courtiers in Comedy of Errors and Love’s Labor Lost, and King Leone’s winter coat in A Winter’s Tale.
dublet by Lori Edwards
dublet by Lori Edwards
Coat by Richard Stevens
Succeeding generations have produced Shakespeare plays in the costumes of their day. This costume is for a Stuart-era Orsinio in Twelfth Night, created by Carmen Beaudry.
Richard Stevens, gave a talk to visitors at the opening of this show. Among the many cogent observations he made was this: that women could not perform on stage in Shakespeare’s time so women’s parts were played by men. And male actors would not stand for simpering women’s lines, so the Bard had to make strong women’s roles.
Here is a fanciful costume for Portia, the Merchant of Venice, who brilliantly makes the law work in her favor. The fanciful costume is opulent and heavy with masterful detail. (The costume’s creator is not cited in the show.)
Of course there are magical characters in Shakespeare’s. Richards is facing one of the Wierd Sisters above. Below is Prospero, from The Tempest, costume by Richard Stevens
Oola, as I said, had aspirations for being the Queen of the Goths, but that being unattainable, she was perfectly happy to play the Titania, the Queen of the Fairies, from A Midsummer Night’s Dream, costume by Margo Loes. (Apologies, Margo)
Port Angeles Fine Arts Center is sponsoring outdoor performances of Much Ado About Nothing for the next 3 weekends. At the Opening Reception for this Exhibition of costumes we were treated to a couple of preview scenes. Costumes are mid-20thCentury reinterpretations.
Producer: Jessica Elliott
Director: Anna Anderson
Friday, Saturday and Sunday of July 21 through August 6. Pre-show at 6PM, Performance follows 6:30PM. Bring ground blanket or low chairs for seating. You will be entranced.
Cost: FREE, though donations will be appreciated.
The Port Angeles Fine Arts Center is located at:
1203 E. Lauridsen Blvd.
Port Angeles, WA 98362 email@example.com 360-457-3532
Our trip to Portland OR on Amtrak was cancelled due to mud slides. So I cannot tell you about the opening, and show you works in the “Build” show. Bummer.
But Busy Hands here has another small book to show you.
Since moving to the Northern Olympic Peninsula I have been captivated by its natural beauty. I find myself fascinated by river rocks, and I see that many of my neighbors have collections of their favorites too. River rocks are reminders to me of the beauty in small common objects. I find visual and verbal poetry there.
My book “Build” which I featured on this blog several weeks ago was accepted into a show called “Built” at 23 Sandy Gallery in Portland OR. which opens next week. It is a book about things to build in the time of tyrants.
If you are in the area, drop in and have a look. It promises to be a great show. You can check out the online portfolio here, and you can tell Oola if I am wrong. We’re taking the train down and would be happy to see you at the opening.
If you come to visit Port Angeles, you will be captivated by its beauty. If you stay for a while, you will get a more realistic look. This is a artist book about the Port Angeles that is growing in my heart.
Here’s how it happens.
The clouds sink under the mountains
to the south.
Venus hums above.
A red copter circles the sea
to the north,
and tankers shoot the harbor to light.
A solstice breeze questions
between the trees. The town below
circles like a frost dog
to begin its sleep.
On the bluff above bag-piper sings vespers,
a little ragged
but sad and sweet.
Grey frigid noon.
A gathering of crows
warms the highest branches.
Then they scatter, an episode worthy of Hitchcock.
a creek of newly melted snow
rampages. Its teeth bite the sky.
It shouts escape from its cement captivity,
gallops bridge under bridge under bridge,
barely notices the cable-bound timber
that lines its course.
These water-dense logs
provide a homeless shelter
hidden from vigilantes,
nights of cold rest
imprint the sand.
The crows spy
an orange syringe in the rocks.
The belted kingfisher hovers,
The creek surges into the sea,
mane and tail.
Downtown you will find a great whale.
Its skin — an iridescent bubble —
undulates in the early breeze,
head draped over warehouses,
tail sunk into deep harbor.
One immense bone — a chiseled,
polished, stone vertebra — anchors
our whale to the cropped lawn and regulated roses
in the city park.
One sleepless woman watches
and remembers a time before the whale fed itself
to crabs and smoke-eyed ravens.
Her twisted fingers speak of cold
and the the hunger of small birds.
She watches the morning children
emerge from SUV belts and tumble
into the park.
Untutored by memory
measure their thin edges
to the convex and concave
of the whale’s vertebra.
Affixed to the present, they grin into dad’s camera
through a neural canal.
Scenes and Musings in PA is a book of my observations made in the town of Port Angeles, WA on the northern slopes of the Olympic Peninsula.
The Whale is based on a sculpture by Alex Anderson at the Valley Creek Estuary Park.
The horse draws its inspiration from poems by Pablo Neruda.
The anonymous bag-piper really did play, magically and alone, on the bluff above downtown PA as described.
I made the drawings on a Wacom tablet, directly into Photoshop. We are very lucky to have an active figure drawing group not very far from Port Angeles.
Photos, drawings, writings, design, printing and binding, and paste paper by me. (The binding is a double dos-a-dos construction with a slip cover.) And Oola stole the old map of Port Angeles from the web.
Spring is pumping like a hurdy-gurdy here, and the first salmon berries are poking their pink goodbyes to Winter.
This is how it was when we left for the Amtrak Station. Snow and the possibility of black ice turned a two hour car trip into three and a half. But no worry — we left plenty early. Right?
We arrived at the train station with 14 minutes to spare. Then waited for the train for another hour. Warm, clean and cozy inside the station, but the weather was not auspicious. Slow progress due to snow, mud slides, flash flood warnings, heavy rain, waiting for freight trains, and
It’s the end of a long drought. But not without its problems. Least of which being that we arrived 8.5 hours late. From which other problems ensued, which I will not go into here — other than to mention being stranded with night coming on with no rental car and having to be rescued by my calm and generous sister and her sidekick who had never driven through the ‘hood!
Art took a low priority on this trip. But I did get some sketches on real paper with a real pencil. You can click on any image to enlarge it.
First signs of Spring
We got back ok. Only two hours late on the return trip. Oola sends wonderment and love.
People who have lived in Port Angeles for a long time tell me that this cold is unusual, even for Port Angeles. I have a new appreciation for those who say “Snow is beautiful. Let it stay in the mountains where it belongs”.
But staying indoors, in the studio, is a good way to produce more art. And here is my latest. It is called “Build” and it is a dialog-with-self about what creative people can do to resist the authoritarian forces that have been chilling us for the past many weeks.
You can click on any image to see a larger version.
“Build”, front and back, closed
The size closed is 10″w x 13.5″h, x 4″d. It’s made of an old wine gift box, linen, acrylic paint, scraps of leather, telescoping tubes, plexiglas, handmade paper, and some of my figure drawing (dancers) pigment printed on transparent film. (A couple of years back these drawings were printed very large for an artist book installation.)
Here is my text which I hand printed in the little book.
To construct something complex by putting parts together over a period of time.
Tyrants divide and dominate. They manipulate communications to spread the fear of “other”. Then they work the resultant loneliness to their personal gain. Tyrants reward the venality that allows the tyranny to live and metastasize.
The bully has no use for tellers of truth. No forbearance for people who think their own thoughts, write their words, share their stories, dance their dances, generate peace. No tolerance for the Victor Jaras of this world.
Yet, there are many ways to resist despots, all requiring courage. This book urges rejecting the lies, mending the broken bonds and curing the loneliness. It advocates the building of community — groups too large and joyful in their purpose for the tyrant to crush.
This book suggests the following physical and metaphorical items for individuals and communities to build.
Build friendships, families, a nest, a bridge, a menu, a book, a bookshelf, a library, a house, a home, an armature, a trellis, a boat, a life, a seedbed, a garden, a nursery, a farm.
Build a base camp, understanding, a sanctuary, a troupe, a shelter, a future, a chord.
Build harmony, a sand castle, a montage, a movement.
Build diversity, trust, a path, a reputation, peace.
Build a theater, a team, a dialogue, build strength.
Build a tree house, stamina, links, a framework, a lean to, a habitat, a buttress, scaffolding, a gazebo, trade, structure, meaning, a fire, build resistance.
Build what gives joy. Build it well.
Build a ground-swell.
[Victor Jara was a popular teacher, poet, singer/songwriter, theater director, and political activist in Chile in the time of Allende. When Pinochet came to power in 1973, Victor was tortured and killed by the military junta.]
You can see this book in action, and hear the text in a 2 min. video.
Next month I will drag Oola out from under the double down quilt to take an Amtrak ride to the Bay Area. We will see what adventures come from that.